About
Contact: dgdsgoode@gmail.com
Daniel Goode (b. New York, January 24, 1936) is an American composer and clarinetist. He studied philosophy, and then music with Henry Cowell, Otto Luening, Pauline Oliveros, and Kenneth Gaburo. Goode’s works show influence from several sources, including bird song, Cape Breton fiddling, drone, Indonesian gamelan music, and minimal music (specifically music as a gradual process). Often two or more of these elements are combined in a single composition.
Goode served as Director of the Electronic Music Studio of Rutgers University from 1971 to 1998 and is co-director of the DownTown Ensemble which he co-founded in New York in 1983. As a clarinetist he is proficient in the technique of circular breathing, which he uses frequently in performances with the group. Since 1976, Goode has been a member of Gamelan Son of Lion, a Javanese-style iron gamelan ensemble dedicated to new music, for which he has composed many works.
He has developed a special keyless clarinet made from a length of plastic pipe that allows him to play in the Indonesian slendro tuning system, which he plays with the group on occasion.
His most recent project is the Flexible Orchestra, a reform of the Western orchestra inspired to some degree by his experience with the gamelan as a musical, social, and cultural phenomenon. His works are published by Frog Peak Music and Theodore Presser.
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Daniel Goode – Discography
As composer:
Eine Kleine Gamelan Music
performed by Nick Didkovsky and Mark Stewart, guitars
Slendro Clarinet
on New Gamelan/New York performed by Gamelan Son of Lion, GSOL. CD 1.
Cape Breton Concerto
for 6 traditional fiddles, piano and wind ensemble on Fanfare for Rutgers with the Rutgers Wind Ensemble conducted by William Berz recorded by Mark Custom Recording Service, Inc.
Circular Thoughts & 40 Random Clangs
recorded on The Complete Gamelan in the New World performed by Gamelan Son of Lion, double CD, Locust Music 41/42
Nod Drama
on Downtown Only performed by the DownTown Ensemble on Lovely Music Ltd, LCD 3081
V-I
on 60X60, 2005, VN 001
Java 2
on four voice canons by Larry Polansky and others, Cold Blue, CB0011
Out of print, collector’s items, LP records:
The Bertoia in the Yamasaki Building, Princeton
performed by Daniel Goode and Peter Blake
The Thrush from Upper Dunakyn
(bass recorder, Pete Rose), on Opus One Records
The Red and White Cows
on Lullabies commissioned and performed by Doris Hays, piano with vln, va., distributed by Atlantic Records
Out of print, collector’s item, cassette:
Wind Symphony performed by Relache, 1987
As performer or other credit:
Eight Thrushes in New York (2002) – Daniel Goode
Clarinet Songs (1993) – Daniel Goode
Experimenting With Household Chemicals (1995) – Peter Zummo
By: Peter Zummo
Credited Role: Liner Notes
Dr. Manhattan – Dr. Manhattan
Credited Role: Assistant Engineer
Music by Phill Niblock (1993) – Phill Niblock
Credited Role: Liner Notes
Tunnel-Funnel (1998) – Daniel Goode
Live at Roulette (2000) – Bonnie Barnett
Credited Role: Clarinet
Prismatic Hearing (2004) – David Simons
Credited Role: Gamelan
Gamelan in the New World (2004) – Gamelan Son of Lion
By: Gamelan Son of Lion
Credited Role: Performer
Song List: Circular Thoughts
Four-Voice Canons (2002) – Larry Polansky
By: Larry Polansky
Credited Role: Tape, Engineer|Editing|Mixing|Realization
Song List: #4, #7, #17 Guitar Canon
Downtown Only (2002) – Downtown Ensemble
By: Downtown Ensemble
Credited Role: Clarinet
Folio and Four Systems (2006) – Earle Brown
Credited Role: Clarinet
Hi Mr. Goode: I’m interested in interviewing you for a piece I’m doing on the MakeMusic NY festival from earlier this Summer. My contact info is here: runningwithreilly.com
Hello Dan…I was a student of yours back in the Livingston College days of 1972…I taught electronic music for over 25 yrs at universities….currently have 1000 works recorded..some are posted on youtube…ambient,soundtrack,jazz,classical,classical guitar,synth,piano solo et al..enjoy the music… http://www.symphonicpiano.com..then on to the youtube links of over 200 pieces..I also have been endorser and synth designer since the 80s….I remember the ARP (!) ,but I did not graduate Rutgers…got my doctorate later Dr Bill Rhodes
Hello Daniel,
Wonderful to meet you and Robert Cook today, and what an honor to perform with Micayla Wynn in collaboration with your piece “Seat of Sound” at Grounds for Sculpture! I am so glad we have connected and have common backgrounds through Rutgers. Hope to see you again soon, and would love to continue our collaborations in the near future!
All the Best,
Adriana Santoro
adrianajsantoro.com
Hello Mr. Goode
I’m Mathieu Steffanus, a french clarinet player. I play in an ensemble called l’Instant Donné (instantdonne.net) and I am very interested in your solo piece Whittling. Could you tell me how I could find a score of this beautiful piece?
Thanks a lot in advance!
Allethe best
Mathieu
Hey Dan, I was also a student at Livingston College in 1971-1972. I took your Sound as Expression in Time Class. You taught me to follow my musical instincts. I most remember that encouraging enthusiastic look on your face when folks were following their muse. I’m still doing that and have become a jazz pianist, but also stayed deeply involved with world music traditions since I went to CalArts and studied Javanese Gamelan, and later Balinese music in Bali. I remember when Pauline Oliveros visited our class. She made quite an impression. Met her again a couple years later at CalArts for an afternoon workshop on toning. She remembered that class as vividly as I had. Thanks for the inspiration and the great music.